Editions NEW ARGOS
announces that the book is educational
Alberto Tebaldi
MANUAL Creative JAZZ GUITAR
Theories on the vision of John Coltrane's harmonic
NEW WAYS TO UNDERSTAND THE THOUGHT OF MUSIC IN ONE OF THE MOST 'ISSUE AND INNOVATIVE CHARACTER OF THE TWENTIETH CENTURY
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Price € 10.00 to 64 color pages (size 12.5 x 18 cm)
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New Argos is a trademark of Dat Donat DICAT
Ltd. First published in June 2007
© 2007 Alberto Tebaldi © 2007 Donat DICAT
Dat Ltd
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Introduction
Alberto Tebaldi
improvise on the harmonic changes of John Coltrane's Giant Steps was for the metaphor of inner control and the search of that "self-consciousness' in J. Krishnamurti and preach the revival, and whose writings he used the same Coltrane to elevate one's soul.
relegated for decades to a mere technical challenge for students and established jazz musicians, playing this song today, to 46 years after its creation, is the unconscious attempt of each musician to boot to the threshold of the spiritual ascent that Coltrane, with and through his music, he traveled to the end of his life.
Presentation of Luca Chiaraluce
Poly-jazz
who attended the musical phenomenon, more or less professionally, knows that the mathematical and geometrical component contained in it is primary. Never before, however, I had come across a job like this, so it carries the reader to the original interpretation of the deeper logic that compose it. The author
wanted in its search path the ancient origin of the elements he uses, in discovering their hinges magic from the dawn accompany man in all its forms.
His innovative research tends to create links between the perceptual capacities of man, by the auditory than visual, in a joint sense of sounds, colors and geometric figures that tend to broaden the vision and rationale of the musician, researcher, he
not satisfied with the usual visions distributed to every corner.
The author creates mental places where everything is 'naturally' in his place, shows that what is seemingly random but controlled by a higher order and detectable.
A search that starts from a disputed area and abused to get stubborn with ingenuity to prove the existence of a hidden depth in which they reveal the motivations of each one, a path in many ways within, who awakens in the reader a taste of the infantile sense of discovery, the desire to believe again, to still be amazed.
This book intelligently re-contextualizes the theory and the practice applied to language that too many players now use only in a mechanical way, gives their own life experience so often experienced jazz typewriter.
I admire the author's research, a man I know for some time and have built their artistic and life experiences beyond the constraints that society wants to impose, a musician and a teacher, always attentive to the energies that flow around. To him my congratulations for a job
so original, complex and at the same time exposed in a clear and comprehensive.
Luca Chiaraluce
Rome, September 20, 2006
Presentation of Augustus Colaci
Pianist
In Table IV dell'Amphiteatrum Sapientiae Aeternae Solius Vera Khunrath is depicted the image of the lab-oratory where the alchemist retires. On one side of the pavilion with prayer, kneeling, a praying figure. Al centro, sul tavolo tra altri oggetti di peso e scrittura, si notano tre strumenti musicali. Un liuto, una viola da braccio e un’altro cordofono. Dall’altra parte tutto il corredo degli alambicchi alchemici. In testi come questo, di alta natura simbolica, nulla è casuale. Cosa ci indica? Cosa ha a che fare la musica con il percorso alchemico? Ogni risposta, ogni congettura è affidata alla ricerca, e giungere a una soluzione definitiva è forse impossibile.
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È prezioso questo lavoro. Prezioso, stimolante e anche coraggioso. Coraggio di esporsi e di esporci un’ipotesi interpretativa. Liberi to follow and even expand it. Free not to follow it. But the validity of this text is not confined here. I want to emphasize the teaching aid offered to students. And this part is not stingy with tips.
Iannis Xenakis, Johann Sebastian Bach, and others could be cited works by analyzing and remembering where the number-sound relationship is direct. Whether it be a purely logical or mystical language of mathematics.
a quiet and sometimes reserved manner, the symbols in the game, I like to bring the author to the ninth Arcana of the Tarot. With his hood and cloak to conceal and protect his insights.
stick and lantern to illuminate the path and walking safer. And the need di percorrere questo cammino: il suo cammino.
Augusto Colaci
Roma, 26 settembre 2006
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