DROP2 EXTENSIONS WITH
Starting from the consideration that, generally, an agreement within the 3grado and 7grado be retained for the purpose of recognition of the family come from, we can say that the remaining 1grado (tonic) and 5grado may be omitted by exploiting the movement to the extensions, like this:
... by upward movement of the tonic we can get the second degree (b9 / 9 / # 9)
... from downward movement / upward 5grado we can obtain, respectively, the fourth (11 / # 11) and sixth (b13/13)
Obviously the choice of the extensions will in turn influenced by the modal scale (or Mode) of membership agreement.
The following diagrams are created from the three extensions of the Lydian mode 9 / 11 / 13 to # maj7 Drop2 on the agreement. For each of the four positions of a family with five diagrams, the first three of which involve the use of each voltage, while in the remaining two are coupled 2 extensions at a time.
Since the fourth and sixth arise both from the movement of the fifth, by this method can never occur simultaneously within the agreement.
I recommend that you store these fingerings according to the position of the tonic of reference (circle dot). Once assimilated all the diagrams, try to "improvise" a comping on a groove along the bottom of the circle of fifths.
All this work will be repeated for the remaining families related to m7 Drop2, and dom7 m7b5. So, in summary we have:
... 4 families of agreements x 4 x 5 positions each diagram with extensions for a total of 80 voicings to store.
Do not worry! ... You'll see that many of these remain the same under the tonal functions. However you yourself, at the end of this long study, to choose voicings that you like. The important thing is having to set up a fund of sufficient arrangements for deal with any fluency jazz standars you are going to play.
In this regard in the next lesson we will begin to see some practical applications on II-VI cadences major and minor II-VI, on turnarounds and entire chorus of some standars that will bring to your attention.
I hope to be helpful! ... The next episode
Click image to enlarge
Starting from the consideration that, generally, an agreement within the 3grado and 7grado be retained for the purpose of recognition of the family come from, we can say that the remaining 1grado (tonic) and 5grado may be omitted by exploiting the movement to the extensions, like this:
... by upward movement of the tonic we can get the second degree (b9 / 9 / # 9)
... from downward movement / upward 5grado we can obtain, respectively, the fourth (11 / # 11) and sixth (b13/13)
Obviously the choice of the extensions will in turn influenced by the modal scale (or Mode) of membership agreement.
The following diagrams are created from the three extensions of the Lydian mode 9 / 11 / 13 to # maj7 Drop2 on the agreement. For each of the four positions of a family with five diagrams, the first three of which involve the use of each voltage, while in the remaining two are coupled 2 extensions at a time.
Since the fourth and sixth arise both from the movement of the fifth, by this method can never occur simultaneously within the agreement.
I recommend that you store these fingerings according to the position of the tonic of reference (circle dot). Once assimilated all the diagrams, try to "improvise" a comping on a groove along the bottom of the circle of fifths.
All this work will be repeated for the remaining families related to m7 Drop2, and dom7 m7b5. So, in summary we have:
... 4 families of agreements x 4 x 5 positions each diagram with extensions for a total of 80 voicings to store.
Do not worry! ... You'll see that many of these remain the same under the tonal functions. However you yourself, at the end of this long study, to choose voicings that you like. The important thing is having to set up a fund of sufficient arrangements for deal with any fluency jazz standars you are going to play.
In this regard in the next lesson we will begin to see some practical applications on II-VI cadences major and minor II-VI, on turnarounds and entire chorus of some standars that will bring to your attention.
I hope to be helpful! ... The next episode
Click image to enlarge
Click image to enlarge
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